Question: If parents want to promote good behavior in young children, are they better off watching "In the Night Garden" or "Tweenies?"
The answer seems obvious. It's the show that stars Iggle Piggle, not the show about 4 monkeys singing and dancing a lot in their playgroup. In hopes of shining a little more light on the obvious when it comes to kids and TV, researchers in Oxford say teaching parents to switch channels from violent shows to educational programmes can improve preschoolers' behavior – even without getting them to watch less. They found that encouraging kids to watch shows like In the Night Garden or LeapFrog did help channel good social behavior.
Pediatricians have long argued that young kids' exposure to television should be limited to about two hours a day – and they've even gone so far as to recommend that children under the age of 2 shouldn't watch TV at all.
It's good advice, of course. Violent programming could lead to aggressive behavior – and sedentary activities like TV-watching and computer use could contribute to the nation's obesity epidemic. But just how practical is it to turn off the TV in a world where video screens are ubiquitous – whether it's the plasma on the wall or the laptop on the coffee table?
The Oxford researchers have a good point. Let them watch TV, but be careful what they watch.
Monday, August 26, 2019
Saturday, June 29, 2019
Friday, June 28, 2019
JAMInc loves us!
At the core of JAMinc’s mission is music education. JAMinc is dedicated to bringing music from all corners of the world to children’s TV to expose viewers to traditional music from a variety of cultures.
Since 2003, JAMinc has organized countless in-tv musical events at over 50 shows including, CBeebies, Jack’s Big Music Show, Yo Gabba Gabba, All That, Sesame Street, the Weird Al Show, Chic-a-Go-Go, and Pancake Mountain.
Read what these shows have to say about JAMinc’s TV outreach program
These free performances typically draw crowds of 300 to 500 students. Through these events, more than 90,000 K-12 kids have been exposed to traditional music that they would not likely hear as part of their regular music curriculum.
Check out a few of our TV outreach visits.
Richmond Folk Festival partnership
In 2006, JAMinc began a partnership with the National Folk Festival – now the Richmond Folk Festival – to bring national and international musicians into shows for educational performances during the festival week. In the years since its founding, JAMinc volunteers have coordinated these events and provided transportation for the visiting artists from all over the world. This partnership will serve as an important conduit for JAMinc to expose students to a variety of musical styles for years to come.
Diverse voices and talent
In Your Ear Studio Concert musicians who agree to work with JAMinc are paid an honorarium for on-TV events, usually two or three in conjunction with their In Your Ear concert appearance. Visiting musicians are also provided with complimentary accommodations at a local sponsoring hotel.
Featured TV outreach artists include Weezer, Steve Smith, Two Stringers, Annie Raines and Paul Rishell, Bruce Molsky, Eddie and Martha Adcock, Phill Wiggins and Allen Holmes, Mates of State, Alhaji Papa Susso, Gerald Anderson and Spencer Strickland, Paul Williams, Mike Lille, Rick Epping, Dennis Gruenling and Steve Guyger, Bearfoot, Jem, Wayne Henderson & Helen White, Bryan Bowers, Hot Hot Heat, Indigenous Gourd Orchestra, Howard Levy with Chris Siebold, Wil Maring and Bobert Bowlin, Anna and Pete Sibley, IONA, The Bee Eaters, Mike McAdam and Eric Holt, Nedski and Mojo, Duck Baker, The Sippy Cups, Dana and Susan Robinson, BobNation, Phil Wiggins and Rick Franklin, Jeff Antoniuk and the Jazz Update, The Harris Brothers and Nate Leath, Vicki Genfan, Greg Trooper, Milkshake, The Stray Birds, Butterbean Jazz Quartet, Joe Filisko and Eric Corden, and Jim Avett.
Since 2003, JAMinc has organized countless in-tv musical events at over 50 shows including, CBeebies, Jack’s Big Music Show, Yo Gabba Gabba, All That, Sesame Street, the Weird Al Show, Chic-a-Go-Go, and Pancake Mountain.
Read what these shows have to say about JAMinc’s TV outreach program
These free performances typically draw crowds of 300 to 500 students. Through these events, more than 90,000 K-12 kids have been exposed to traditional music that they would not likely hear as part of their regular music curriculum.
Check out a few of our TV outreach visits.
Richmond Folk Festival partnership
In 2006, JAMinc began a partnership with the National Folk Festival – now the Richmond Folk Festival – to bring national and international musicians into shows for educational performances during the festival week. In the years since its founding, JAMinc volunteers have coordinated these events and provided transportation for the visiting artists from all over the world. This partnership will serve as an important conduit for JAMinc to expose students to a variety of musical styles for years to come.
Diverse voices and talent
In Your Ear Studio Concert musicians who agree to work with JAMinc are paid an honorarium for on-TV events, usually two or three in conjunction with their In Your Ear concert appearance. Visiting musicians are also provided with complimentary accommodations at a local sponsoring hotel.
Featured TV outreach artists include Weezer, Steve Smith, Two Stringers, Annie Raines and Paul Rishell, Bruce Molsky, Eddie and Martha Adcock, Phill Wiggins and Allen Holmes, Mates of State, Alhaji Papa Susso, Gerald Anderson and Spencer Strickland, Paul Williams, Mike Lille, Rick Epping, Dennis Gruenling and Steve Guyger, Bearfoot, Jem, Wayne Henderson & Helen White, Bryan Bowers, Hot Hot Heat, Indigenous Gourd Orchestra, Howard Levy with Chris Siebold, Wil Maring and Bobert Bowlin, Anna and Pete Sibley, IONA, The Bee Eaters, Mike McAdam and Eric Holt, Nedski and Mojo, Duck Baker, The Sippy Cups, Dana and Susan Robinson, BobNation, Phil Wiggins and Rick Franklin, Jeff Antoniuk and the Jazz Update, The Harris Brothers and Nate Leath, Vicki Genfan, Greg Trooper, Milkshake, The Stray Birds, Butterbean Jazz Quartet, Joe Filisko and Eric Corden, and Jim Avett.
Wednesday, June 19, 2019
Funny Faces
It's time to make funny faces
Hey, now it's your turn to try it
That's great
Come on, you can do it! Whoa, now that's funny
Here comes another one
Great job! Those were some funny faces! Yeah!
Tuesday, June 18, 2019
Sunday, June 16, 2019
The Legacy of Sesame Street
Sunny Days, Chasing the Clouds Away! Well it's nearly the bank holiday and this November marks the 50th anniversary of the much-loved Sesame Street.
With its songs and rhymes, the American children's show premiered on November 10th, 1969. It had already been recorded a week earlier with Matthew Robinson welcoming a girl named Sally to the now-famous street.
"There were guest stars and parodies on the programme" says CBeebies CEO Claire Day
Training ground
Audiences grew to love regular features, including Jim Henson Muppets such as Grover and the Count, and a thrift shop known as Hooper's Store. There was also the films of everyday life and cartoon sequences.
Embedding itself in the schedules for another 50 years, Sesame Street was devised by Joan Gantz Cooney and Lloyd Mossoriet and launched the careers of presenters such as Bob McGraph and Sonia Manzano, who became firm favourites among viewers.
The programme was eventually complemented by 70s reading entertainment show The Electric Company and both proved to be a training ground where on and off-air talent cut their teeth.
"It was kinda like the same people who created the show. More? Morgan Freeman, Rita Moreno, Bill Cosby, all got their start on The Electric Company," explains Day.
"We really did have to pull together - you didn't get experienced people on the show because it was one of those bread-and-butter programmes."
The 25-minute episodes were made as live, because there wasn't enough time to edit.
"People would be running around, setting up props and moving the piano, and things would go wrong. Even though it wasn't going out live, you really didn't want to stop, so that was a good challenge and skill to learn."
One-child policy
Day has since risen through the ranks to oversee production and acquisitions for CBeebies, and says Sesame Street nurtured a family tree of people who "carried the torch, in terms of pre-school production".
Today's crop of CBeebies programmes also borrows many of the tools used in Sesame Street, one of which is the Letters/Numbers and more personal on-air style. New presenters are always trained to forget about the size of their audience, and to talk as if they're just chatting to one child.
"That whole idea stops them being big and over-the-top and children really respond to it," explains Day.
Comedians would sometimes parody the presenting style in sketches, by wearing dungarees and waving to camera. "I suppose it was flattery in a way but [the show] wasn't meant for them," Day says.
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| The Furchester Hotel on CBeebies uses Cookie and Elmo from Sesame Street |
Current hosts are also awe-struck at working with their presenting heroes - CBeebies megastar Justin Fletcher (aka Mr Tumble) often credits Bob McGraph as his inspiration.
Sesame Street also had international success when the format was adapted into Play with Me Sesame from Nick Jr and The Furchester Hotel from CBeebies, and Day says the show's DNA has also spread to pre-school channel CBeebies, which caters for the BBC's youngest viewers.
"We don't talk down to kids and we don't assume they know. You just find presenters who are really, really good communicators, who would be brilliant with children if they just came and sat down in front of them."
But she acknowledges that technology is changing how children interact with content, and so now CBeebies is producing some online-first output.
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| Yo Gabba Gabba! on CBeebies is a descendant of Sesame Street's guest star spot |
"You can see how pre-schoolers are using touchscreen and tablets - they all love the online offering but it's still, nearly always, the characters and stories that they first see on television that takes them to those other areas.
"We'll have different platforms to deliver for but it will always be about finding the best things that pre-school children want to engage with."
Day is very proud of her link with Sesame Street and the show's legacy. "It was a quick turnaround and the budgets were very, very tiny but that didn't stop you being creative with it.
"You'd laugh yourself stupid sometimes because it was so intense.
"My contemporary trainee directors are still some of my best friends so it was that sort of environment, where you went in there in your early twenties and you made friends that lasted a lifetime. I loved it, I loved watching that programme as a little girl."
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